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W.A. Mozart, Symphony #40, G minor
                                                First Movement - Sonata Allegro Form


  EXPOSITION
  THEME #1 (diatonic)                  TRANSITION                 THEME #2 (chromatic)         CODETTA
● A (1 - 22) A' (22 - 28)              (28 - 43)                  B (44 - 51) B' (52 - 57)     (66 - 100)                            ●
  ambiguous downbeat                                              cadence mat. (58 - 65)
●                                                                                                  1meas. Modulation (bar 100)       ●
  G minor                BЬ major      BЬ major                   BЬ major                     BЬ major           G minor




  DEVELOPMENT
  consists of a series of modulations that are, at the same time diatonic and chromatic

  immediate modulation to:
  F# minor




  RECAPITULATION                       TRANSITION                 THEME #2                     Extended Cadence & CODA
  A (164 - 183) A' (183 - 190)                                    B (227-235) B' (235-240)     (241-292)          (293-299)
                                                                                               modulations        establish tonic
                                                                                                                  key / cadence
  G minor               EЬ major       EЬ major       G minor     G minor                                         G minor


  Motive of Theme #1 is used throughout movement slower, inverted, etc. Only the chromaticism of Theme #2 found in the development
  Ambiguity of melody and rhythm creates tension and interest (measures 1 - 3)
W.A. Mozart, Symphony #40, G minor
                                          First Movement - Sonata Allegro Form


Conjoined phrasing (measures 20 and 21)

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41293 mozart-symphony-no-40

  • 1. W.A. Mozart, Symphony #40, G minor First Movement - Sonata Allegro Form EXPOSITION THEME #1 (diatonic) TRANSITION THEME #2 (chromatic) CODETTA ● A (1 - 22) A' (22 - 28) (28 - 43) B (44 - 51) B' (52 - 57) (66 - 100) ● ambiguous downbeat cadence mat. (58 - 65) ● 1meas. Modulation (bar 100) ● G minor BЬ major BЬ major BЬ major BЬ major G minor DEVELOPMENT consists of a series of modulations that are, at the same time diatonic and chromatic immediate modulation to: F# minor RECAPITULATION TRANSITION THEME #2 Extended Cadence & CODA A (164 - 183) A' (183 - 190) B (227-235) B' (235-240) (241-292) (293-299) modulations establish tonic key / cadence G minor EЬ major EЬ major G minor G minor G minor Motive of Theme #1 is used throughout movement slower, inverted, etc. Only the chromaticism of Theme #2 found in the development Ambiguity of melody and rhythm creates tension and interest (measures 1 - 3)
  • 2. W.A. Mozart, Symphony #40, G minor First Movement - Sonata Allegro Form Conjoined phrasing (measures 20 and 21)